A sensation across Europemillions of copies sold A spellbinding amalgam of murder mystery, family saga, love story, and financial intrigue. Its about the disappearance forty years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden . . . and about her octogenarian uncle, determined to know the truth about what he believes was her murder. Its about Mikael Blomkvist, a crusading journalist recently at the wrong end of a libel case, hired to get to the bottom of Harriets disappearance . . . and about Lisbeth Salander, a twenty-four-year-old pierced and tattooed genius hacker possessed of the hard-earned wisdom of someone twice her ageand a terrifying capacity for ruthlessness to go with itwho assists Blomkvist with the investigation. This unlikely team discovers a vein of nearly unfathomable iniquity running through the Vanger family, astonishing corruption in the highest echelons of Swedish industrialismand an unexpected connection between themselves. Its a contagiously exciting, stunningly intelligent novel about society at its most hidden, and about the intimate lives of a brilliantly realized cast of characters, all of them forced to face the darker aspects of their world and of their own lives.

James Patterson and Patricia Cornwell: Author One-on-One In this Amazon exclusive, we brought together blockbuster authors James Patterson and Patricia Cornwell and asked them to interview each other. Find out what two of the top authors of their genres have to say about their characters, writing process, and more. Patricia Cornwell is the former Director of Applied Forensic Science at the National Forensic Academy, and a member of the Harvard-affiliated McLean Hospital's National Council, where she is an advocate for psychiatric research. She is the author of sixteen previous Kay Scarpetta mysteries, five non-Scarpetta novels (including At Risk), and Portrait of a Killer. Read on to see Patricia Cornwell's questions for James Patterson, or turn the tables to see what Patterson asked Cornwell. Cornwell: James, your questions were so good, I'm going to ask you similar ones. Let's start with why you write? Do you love it or love having done it? What motivates you? Patterson: I truly love writing. I sometimes think about my grandfather when I reflect on this. When I was a boy, I lived in a town on the Hudson River. During the summers, my grandfather would take me once a week on his frozen food and ice cream delivery route. We'd be up at four in the morning packing up the truck, and by five we'd be on our way. Driving a delivery truck isn't the most glamorous job in the world, but every morning, my grandfather would drive over the Storm King Mountain toward West Point, and he'd be singing at the top of his voice. And he told me this: "Jim," he said, "when you grow up, I don't care if you're a truck driver or a famous surgeon—just remember that when you go over the mountain to work in the morning, you've got to be singing." Writing stories keeps me singing. Writing to me isn't work, and I like that a ton. Cornwell: What is your routine when you're facing your next novel? What is the process like for you, and what is your favorite part of it? Least favorite? Patterson: I like to have a lot of ideas in the air at one time. I've got around 20 manuscripts sitting in my office right now, in some degree of completion. It's a lot of material, a lot of stories. My least favorite part? Hmm. Maybe sharpening pencils? Actually, I’ve always kind of liked sharpening pencils. I don’t mean to seem too over the top about this, but I really wouldn’t change any of it. Cornwell: What do you and Alex Cross have in common? How are you different? Patterson: We're both family-oriented guys. I think it's a real treat to be able to get along with your wife every day, which I do; my wife and I really have trouble being apart for very long. And I think readers will agree Alex is generally doing better in the romance department. One difference between us would be that I'm much more content to sit around and write. I think Alex would get a little bored on a "ride-along" with me. Cornwell: What inspired you to create Alex Cross? Patterson: Hardly anyone knows it but when I started the first Alex Cross novel, Alex was a woman named Alexis. After 100 pages or so, I changed the character to Alex. When I was a kid growing up, my grandparents had a small restaurant and the cook was an African-American woman who eventually moved into our house. All through my growing up period I spent a lot of time with this woman's family. They were funny, wise, the food was great, so was the music, and the family is at least part of the inspiration for the Crosses. Cornwell: What's the one thing a reader has said that you've never forgotten and perhaps found startling? Patterson: I'm sure you've had this, too, Patricia, but the one comment that gets me every time is hearing people say my books have them reading again. I know sometimes you and I get some heat for being as popular as we are, and are saddled with that old equation that says if you're a bestseller, you must be lowbrow. But I frankly don't think there’s anything more meaningful than hearing that I've turned a person back into a reader (or in the case of younger readers, got them started). Cornwell: How about you? You're the one with all the movies! Good experience or not? Patterson: Sounds like we're on the same page there, Patricia. I definitely feel like some past projects didn't quite live up to their potential. And I likewise have hopes for a couple of movies in the works: the third Alex Cross movie, and the very first Maximum Ride movie, which has Avi Arad (producer of Spider Man), Catherine Hardwicke (director of Twilight), and Don Payne (writer for The Simpsons) on board. There's also a very promising TV series based on a new book I've written that's being developed with CBS and Imagine.

From Andre Agassi, one of the most beloved athletes in history and one of the most gifted men ever to step onto a tennis court, a beautiful, haunting autobiography.Agassi’s incredibly rigorous training begins when he is just a child. By the age of thirteen, he is banished to a Florida tennis camp that feels like a prison camp. Lonely, scared, a ninth-grade dropout, he rebels in ways that will soon make him a 1980s icon. He dyes his hair, pierces his ears, dresses like a punk rocker. By the time he turns pro at sixteen, his new look promises to change tennis forever, as does his lightning-fast return. And yet, despite his raw talent, he struggles early on. We feel his confusion as he loses to the world’s best, his greater confusion as he starts to win. After stumbling in three Grand Slam finals, Agassi shocks the world, and himself, by capturing the 1992 Wimbledon. Overnight he becomes a fan favorite and a media target.Agassi brings a near-photographic memory to every pivotal match and every relationship. Never before has the inner game of tennis and the outer game of fame been so precisely limned. Alongside vivid portraits of rivals from several generations—Jimmy Connors, Pete Sampras, Roger Federer—Agassi gives unstinting accounts of his brief time with Barbra Streisand and his doomed marriage to Brooke Shields. He reveals a shattering loss of confidence. And he recounts his spectacular resurrection, a comeback climaxing with his epic run at the 1999 French Open and his march to become the oldest man ever ranked number one.In clear, taut prose, Agassi evokes his loyal brother, his wise coach, his gentle trainer, all the people who help him regain his balance and find love at last with Stefanie Graf. Inspired by her quiet strength, he fights through crippling pain from a deteriorating spine to remain a dangerous opponent in the twenty-first and final year of his career. Entering his last tournament in 2006, he’s hailed for completing a stunning metamorphosis, from nonconformist to elder statesman, from dropout to education advocate. And still he’s not done. At a U.S. Open for the ages, he makes a courageous last stand, then delivers one of the most stirring farewells ever heard in a sporting arena.With its breakneck tempo and raw candor, Open will be read and cherished for years. A treat for ardent fans, it will also captivate readers who know nothing about tennis. Like Agassi’s game, it sets a new standard for grace, style, speed, and power.

115099 Features: Follow Greg Mortenson as provides aid in Azad Kashmir, Pakistan after a 2005 earthquake Read about the Central Asia Institute's (CAI) efforts in Afghanistan which place Mortenson in the way of harm from Afghan warlords, militia commanders, tribal leaders, and Islamic clerics Learn how Mortenson survived a an 8-day armed abduction by the Taliban to all as he continues to further the progress of his 2-decade humanitarian effort Get a first-person account of Mortenson's work with his manager, Sarfraz Khan as they staked out the first schools in Badakhshan Province in the far northeast of Afghanistan Specifications: Pages: 448 Edition: first Jacket: hard cover ISBN-10: 0670021156 Publisher: Viking Adult

FUNNY.FRIGHTENING.TRUE.It happens to all of us: You're minding your own business, when some idiot informs you that guns are evil, the Prius will save the planet, or the rich have to finally start paying their fair share of taxes.Just go away! you think to yourself -- but they only become more obnoxious. Your heart rate quickens. You start to sweat. You can't get away. Your only hope is......this book.Glenn Beck, author of the #1 New York Times bestsellers An Inconvenient Book and Glenn Beck's Common Sense, has stumbled upon the secret formula to winning arguments against people with big mouths but small minds: knowing the facts.And this book is full of them.The next time your Idiot Friends tell you how gun control prevents gun violence, you'll tell them all about England's handgun ban (see page 53). When they tell you that we should copy the UK's health-care system, you'll recount the horrifying facts you read on page 244. And the next time an idiot tells you that vegetable prices will skyrocket without illegal workers, you'll stop saying "no, they won't" and you'll start saying, "actually, eliminating all illegal labor will cause us to spend just $8 a year more on produce." (See page 139.)Idiots can't be identified through voting records, they can be found only by looking for people who hide behind stereotypes, embrace partisanship, and believe that bumper sticker slogans are a substitute for common sense. If you know someone who fits the bill, then Arguing with Idiots will help you silence them once and for all with the ultimate weapon: the truth.

Drop 4 to 9 lbs. a week without dieting! For years, experts have told you that you’re overweight because you eat too much and don’t exercise enough. They were WRONG. The truth is that you are eating foods packed with hidden sweeteners that deliver a belly-fattening Sugar/Carb Value. This simple guide makes smart eating effortless and affordable. It includes more than 1,500 options customized for: carboholics, meat lovers, chicken and seafood fans, chocoholics, fast-food junkies, and even vegans! What are you waiting for? Dig in. 4-color Photo-filled, spiral-bound Tradepaper

"Clear some space on your bookshelf for Mitch Albom's, Have a Little Faith, the story of a faith journey that could become a classic. Those who were born into faith, have lost faith, or are still searching will all be engaged and challenged by this powerful story of "finding faith" in relationships with others and with something greater than ourselves. Never satisfied with easy answers or soft platitudes, Mitch explores some of life's greatest mysteries and unanswered questions with great honesty, depth and self reflection. " --Jim Wallis, CEO and Founder of Sojourners and author of The Great Awakening What if our beliefs were not what divided us, but what pulled us together? In Have a Little Faith, Mitch Albom offers a beautifully written story of a remarkable eight-year journey between two worlds--two men, two faiths, two communities--that will inspire readers everywhere. Albom's first nonfiction book since Tuesdays with Morrie, Have a Little Faith begins with an unusual request: an eighty-two-year-old rabbi from Albom's old hometown asks him to deliver his eulogy. Feeling unworthy, Albom insists on understanding the man better, which throws him back into a world of faith he'd left years ago. Meanwhile, closer to his current home, Albom becomes involved with a Detroit pastor--a reformed drug dealer and convict--who preaches to the poor and homeless in a decaying church with a hole in its roof. Moving between their worlds, Christian and Jewish, African-American and white, impoverished and well-to-do, Albom observes how these very different men employ faith similarly in fighting for survival: the older, suburban rabbi embracing it as death approaches; the younger, inner-city pastor relying on it to keep himself and his church afloat. As America struggles with hard times and people turn more to their beliefs, Albom and the two men of God explore issues that perplex modern man: how to endure when difficult things happen; what heaven is; intermarriage; forgiveness; doubting God; and the importance of faith in trying times. Although the texts, prayers, and histories are different, Albom begins to recognize a striking unity between the two worlds--and indeed, between beliefs everywhere. In the end, as the rabbi nears death and a harsh winter threatens the pastor's wobbly church, Albom sadly fulfills the rabbi's last request and writes the eulogy. And he finally understands what both men had been teaching all along: the profound comfort of believing in something bigger than yourself. Have a Little Faith is a book about a life's purpose; about losing belief and finding it again; about the divine spark inside us all. It is one man's journey, but it is everyone's story. Ten percent of the profits from this book will go to charity, including The Hole In The Roof Foundation, which helps refurbish places of worship that aid the homeless.

Amazon Best of the Month, July 2009: The girl with the dragon tattoo is back. Stieg Larsson's seething heroine, Lisbeth Salander, once again finds herself paired with journalist Mikael Blomkvist on the trail of a sinister criminal enterprise. Only this time, Lisbeth must return to the darkness of her own past (more specifically, an event coldly known as "All the Evil") if she is to stay one step ahead--and alive. The Girl Who Played with Fire is a break-out-in-a-cold-sweat thriller that crackles with stunning twists and dismisses any talk of a sophomore slump. Fans of Larsson's prior work will find even more to love here, and readers who do not find their hearts racing within the first five pages may want to confirm they still have a pulse. Expect healthy doses of murder, betrayal, and deceit, as well as enough espresso drinks to fuel downtown Seattle for months. --Dave Callanan

It’s summer vacation, the weather’s great, and all the kids are having fun outside. So where’s Greg Heffley? Inside his house, playing video games with the shades drawn. Greg, a self-confessed “indoor person,” is living out his ultimate summer fantasy: no responsibilities and no rules. But Greg’s mom has a different vision for an ideal summer . . . one packed with outdoor activities and “family togetherness.” Whose vision will win out? Or will a new addition to the Heffley family change everything?

Amazon Best of the Month, November 2008: Now that he's gotten us talking about the viral life of ideas and the power of gut reactions, Malcolm Gladwell poses a more provocative question in Outliers: why do some people succeed, living remarkably productive and impactful lives, while so many more never reach their potential? Challenging our cherished belief of the "self-made man," he makes the democratic assertion that superstars don't arise out of nowhere, propelled by genius and talent: "they are invariably the beneficiaries of hidden advantages and extraordinary opportunities and cultural legacies that allow them to learn and work hard and make sense of the world in ways others cannot." Examining the lives of outliers from Mozart to Bill Gates, he builds a convincing case for how successful people rise on a tide of advantages, "some deserved, some not, some earned, some just plain lucky." Outliers can be enjoyed for its bits of trivia, like why most pro hockey players were born in January, how many hours of practice it takes to master a skill, why the descendents of Jewish immigrant garment workers became the most powerful lawyers in New York, how a pilots' culture impacts their crash record, how a centuries-old culture of rice farming helps Asian kids master math. But there's more to it than that. Throughout all of these examples--and in more that delve into the social benefits of lighter skin color, and the reasons for school achievement gaps--Gladwell invites conversations about the complex ways privilege manifests in our culture. He leaves us pondering the gifts of our own history, and how the world could benefit if more of our kids were granted the opportunities to fulfill their remarkable potential. --Mari Malcolm